Terry Gilliam has always been a hero of ours, and Brazil was perhaps the first step in the development of our fascination with him. What we find so special about the film, and this filmmaker’s work in general, is its impeccable ability to neatly combine a palpable passion for art and the visual with a socially and politically aware, sound, somber and sophisticated message that leaves you thinking. This is the quality of only the greatest of films, and in our book Brazil stands among the very highlights of the cinematically fertile and quality-abundant eighties.
The making of Brazil. Still photographer: David Appleby.
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